
Introducing 'ICONS'
This series of paintings blends Pop Art, surreal elements, refined realism, and comic-book aesthetics in a richly opulent visual language that challenges the relationship between contemporary and traditional art.
Reimagined figures such as Marilyn Monroe, Winston Churchill, David Bowie, and Salvador Dalí transcend likeness to become symbols of cultural legacy. Gilded elements lend a sense of timeless luxury, elevating the series into a celebration of iconography, prestige, and visual grandeur.
grandeur.

Explore the series

Why ICONS?
This series has developed while searching for a visual language that merges different eras and styles - classical art, pop art, and surrealism. Artistic discourse often gravitates toward extremes: traditional art is sometimes dismissed as too obvious in the age of photography, while contemporary approaches are regarded by others as too bold, too unrefined.
I personally enjoy both sides of the spectrum, and my ambition is to push and create a mode of expression that allows them to coexist. Alongside these influences, I’m also incorporating comic book – specific aesthetics and visual devices. Comic books are imaginative, and accessible at first glance, yet deeply sophisticated in how they engage the viewer.
They rely on the reader’s active participation - inviting them to infer movement, rhythm, and emotion between panels. In this sense, superheroes function as a modern mythology, grappling with timeless human concerns such as power, responsibility, fear, and identity - ancient themes, simply reimagined through a contemporary lens.
Similar to superheroes in comics, the use of subjects such as Winston Churchill, Marilyn Monroe, David Bowie, Salvador Dali or Freddie Mercury, is to highlight figures in history and pop culture who made an impact by stretching limits and approaching their craft differently than their predecesors.
While the series is an ongoing process, a continuous search still in its incipient phase, it is the start of a new visual language.


The piece that started it all
In 2022, the passing of Queen Elizabeth II led me to study how she had been represented throughout art history. I found that most portrayals emphasised status, symbolism, and authority, often leaving little room for humanity. This observation prompted me to pursue a more intimate depiction—one that uses the concept of power as a means to suggest a deeper narrative, not a purpose in itself.
The resulting painting exists as an aftermath: a quiet, reflective moment shared with her corgis, exploring identity beyond title and hierarchy. It functions as an indirect meditation on the person behind the name, revealing sensitivity within a figure so often defined by authority.
The composition juxtaposes a universally recognised symbol of power with a companion indifferent to status, attached only to the individual. What began as a one-off work within my traditionally commission-based portrait practice soon evolved into something more expansive, opening a pathway toward the love for narrative and visual languages I had long admired but never previously explored.
From this shift emerged a broader inquiry into the many dimensions of human existence, articulated through historically and culturally recognised figures.
Thus, ICONS was born.
Title: Loyalty for Royalty
Medium: Oil on canvas
Dimensions: 70 x 70 cm





